A landmark in 20th century music
Premiered in 1968 and finally completed in 1969, Luciano Berio’s Sinfonia for Eight Voices and Orchestra is a kaleidoscope of ideas that is both intellectually playful and viscerally powerful. The vocal parts were originally written for The Swingle Singers (now The Swingles), and over five decades the group has built up an unrivalled understanding of the piece and its technical demands. In Sinfonia’s 50th anniversary season, they are delighted to be bringing it to new audiences around the world.
Commissioned by the New York Philharmonic for its 125th anniversary, Sinfonia is written in five movements. In the central third movement, Berio uses Mahler’s 2nd Symphony as the framework for a journey through 400 years of Western music. The amplified voices are both an extra section of the orchestra and a dramatic chorus as they sing, scat, whisper, shout and recite fragments of text over increasingly chaotic textures. The result encapsulates the turmoil of the 1960s, offering a commentary on the symphonic tradition while opening up exhilarating possibilities for the future.
As a group that continually strives to innovate, The Swingles love returning to the revolutionary Sinfonia, which they perform as eight singers. Although the ensemble’s line-up changes over the years, each of the current members is an experienced Berio performer and highly responsive to the interpretations of different conductors and orchestras. The piece is approximately 40 minutes in length, and works ideally as one half of a concert, programmed alongside orchestral pieces and/or pieces from The Swingles’ a cappella and light orchestral programmes.
Reviews of recent Sinfonia performances:
“The Swingles, reminding us how innovative this a cappella vocal group still is, whooped and whispered deliciously in Berio’s Sinfonia (1968), a work as abundant and of its time as Stravinsky is spare and timeless.”
The Observer (2018)
“The Swingles sing almost continuously throughout, and here brought their trademark bravado and sass.”
The Arts Desk (2018)
“The legendary Swingle Singers, in their latest incarnation, navigated the dauntingly virtuosic terrain with breathtaking and often quite beautiful results... The sound of the Swingle Singers remains uncannily close to the group's original membership, and hearing them work with MTT, as their elders once collaborated with Leonard Bernstein in the early days of the Sinfonia, was electrifying.”
The Bay Area Reporter (2016)
“...the extraordinary Swingles...”
San Francisco Chronicle (2016)
“The Swingle Singers, who seem to own the piece, were in their element.”
Financial Times (2013)
Recent performances of Sinfonia:
Royal Festival Hall, London (2018)
with London Philharmonic Orchestra, conducted by Vladimir Jurowski
Review: The GuardianLa Scala, Milan, Italy (2018)
with Filarmonica della Scala, conducted by John AxelrodKBS Symphony Hall, Seoul, South Korea (2018)
with KBS Symphony Orchestra, conducted by Yoel LeviStaatsoper Hannover, Germany (2018)
with Niedersächsisches Staatsorchester Hannover, conducted by Stefan BlunierAuditorium Rai “Arturo Toscanini”, Turin, Italy (2017)
with Orchestra Sinfonica Nazionale della Rai, conducted by John AxelrodDavies Symphony Hall, San Francisco, USA (2016)
with San Francisco Symphony, conducted by Michael Tilson Thomas
Reviews: San Francisco Chronicle / Mercury News / The Bay Area ReporterTeatro La Fenice, Venice, Italy (2015)
with Orchestra Filarmonica della Fenice, conducted by Nicola MarascoRoyal Festival Hall, London, UK (2013)
with OSESP, conducted by Marin Alsop
Reviews: The Times / The Guardian / The Arts Desk / Financial TimesSala São Paulo, Brazil (2013)
with OSESP, conducted by Marin AlsopFilharmonia, Wroclaw, Poland (2013)
with NFM Wrocław Philharmonic, conducted by Ed SpanjaardLa Scala, Milan, Italy (2013)
with Filarmonica della Scala, conducted by Ingo Metzmacher
Review: Corriere della SeraMarcus Center, Milwaukee, USA (2013)
with Milwaukee Symphony Orchestra, conducted by Edo de Waart
Reviews: Milwaukee Journal Sentinel / Shepherd ExpressCité de la Musique, Paris, France (2011)
with Orchestre du Conservatoire de Paris, conducted by Jonathan NottGulbenkian Foundation, Lisbon, Portugal (2011)
with Orquestra Gulbenkian, conducted by François-Xavier RothCividade del Friuli, Italy (2010)
with Orchestra del teatro Verdi di Trieste, conducted by Paolo ParoniBucharest Palace Hall, Romania (2009)
with Romanian National Radio Orchestra, conducted by Julian RachlinVienna, Austria (2008)
with Vienna Philharmonic, conducted by Zubin MehtaParco della Musica, Rome, Italy / BBC Proms, Royal Albert Hall, UK (2007)
with Accademia di Santa Cecilia, conducted by Antonio Pappano